This interactive installation lets visitors dive into visual testimonies e.g. of bats, trees and car traffic—all of which co-exist in the woodlands of Amelisweerd. This work challenges our human-centred gaze.
Commissioned by:
Creative Coding Utrecht
The former private forest estate of Amelisweerd has emerged into a popular recreational site and home to a rich flora and fauna. The construction and later expansion of the A27 highway, cutting right through it, keeps sparking criticism from locals and (human) activists, leading to an actual court-case. To fill in blind spots in this debate, Cream on Chrome collected voices and perspectives of animals, human organizations and plants around the forest.
Set up as an interactive court hearing at Landhuis Oud Amelisweerd, the installation invites people to dive into testimonies of local “stakeholders”: Water, bats, roads, trees and recreation culture.
Each of them are represented by a trophy sculpture placed on wooden pillars. Visitors can take one of them and place them on the central pillar to wirelessly activate a corresponding video on screen. The multivocal debate traces experiences, merits and challenges of living in more-than-human communities.
Bats trophy
Culture trophy
Trees trophy
Water trophy
Forensic Undergrowth at Dutch Design Week 2024
Forensic Undergrowth at Dutch Design Week 2024
Over the period of one year our team conducted field research in the woodlands of Amelisweerd, gathering impressions, samples and knowledge from experts on the local ecosystem.
The resulting video testimonies were created in collaboration with visual artist Lindsey Bundel. Their own visual language reveals the actor’s point of view, what their motives are and how the highway extension would affect them.
Also the interactive sculptures were strongly informed by the experiences made in the forest. Being physical objects, however, other means of abstraction were used to represent each actor.
This project was created for the exhibition “Gardening Amelisweerd” about humans, nature and tech at and around the Landhuis venue. The organizer, Creative Coding Utrecht, estimates that around 3000 visitors came by during the two months. The artwork sparked thoughtful discussions among visitors, many of whom found the subject relevant to their lives.
In 2024, the Dutch Minister of Infrastructure confirmed plans to widen the A27 highway, rejecting an alternative proposal by the city and province of Utrecht that claimed to be cheaper and more environmentally friendly.
YEAR
2022
LOCATIONS
Landhuis Oud Amelisweerd (NL), Dutch Design Week (NL)
DESIGN TEAM
Jonas Althaus, Martina Huynh, Lindsey Bundel, Tabitha Anderton (intern)
RESPONSIBILITIES
Concept, Design Research, Scenography, Multimedia Editing, Interaction & Electronic Design, Coding
PHOTOGRAPHER
Cream on Chrome
This interactive installation lets visitors dive into visual testimonies e.g. of bats, trees and car traffic—all of which co-exist in the woodlands of Amelisweerd. This work challenges our human-centred gaze.
Commissioned by:
Creative Coding Utrecht
The former private forest estate of Amelisweerd has emerged into a popular recreational site and home to a rich flora and fauna. The construction and later expansion of the A27 highway, cutting right through it, keeps sparking criticism from locals and (human) activists, leading to an actual court-case. To fill in blind spots in this debate, Cream on Chrome collected voices and perspectives of animals, human organizations and plants around the forest.
Set up as an interactive court hearing at Landhuis Oud Amelisweerd, the installation invites people to dive into testimonies of local “stakeholders”: Water, bats, roads, trees and recreation culture.
Each of them are represented by a trophy sculpture placed on wooden pillars. Visitors can take one of them and place them on the central pillar to wirelessly activate a corresponding video on screen. The multivocal debate traces experiences, merits and challenges of living in more-than-human communities.
Bats trophy
Culture trophy
Trees trophy
Water trophy
Forensic Undergrowth at Dutch Design Week 2024
Forensic Undergrowth at Dutch Design Week 2024
Over the period of one year our team conducted field research in the woodlands of Amelisweerd, gathering impressions, samples and knowledge from experts on the local ecosystem.
The resulting video testimonies were created in collaboration with visual artist Lindsey Bundel. Their own visual language reveals the actor’s point of view, what their motives are and how the highway extension would affect them.
Also the interactive sculptures were strongly informed by the experiences made in the forest. Being physical objects, however, other means of abstraction were used to represent each actor.
This project was created for the exhibition “Gardening Amelisweerd” about humans, nature and tech at and around the Landhuis venue. The organizer, Creative Coding Utrecht, estimates that around 3000 visitors came by during the two months. The artwork sparked thoughtful discussions among visitors, many of whom found the subject relevant to their lives.
In 2024, the Dutch Minister of Infrastructure confirmed plans to widen the A27 highway, rejecting an alternative proposal by the city and province of Utrecht that claimed to be cheaper and more environmentally friendly.
PROJECT TYPE
Commission
YEAR
2022
LOCATIONS
Landhuis Oud Amelisweerd (NL), Dutch Design Week (NL)
DESIGN TEAM
Jonas Althaus, Martina Huynh, Lindsey Bundel, Tabitha Anderton (intern)
RESPONSIBILITIES
Concept, Design Research, Scenography, Multimedia Editing, Interaction & Electronic Design, Coding
PHOTOGRAPHER
Cream on Chrome